- #How to blur a face in hitfilm expres editor 1080p#
- #How to blur a face in hitfilm expres editor software#
Videos were continuously on the viewers radar. For example, Just Mick YouTube channel showed how immersive retail works when they partnered with IKEA. Videos of this category are sort of a v-log which highlights what the shopper is buying and from where.
Immersive retail category gained more views this year than ever.
#How to blur a face in hitfilm expres editor software#
Also, let’s see how the best video editing software for YouTube plays an important role in making YouTube content better in terms of quality. But after a while you'll pretty much know when something is screwed up before moving onto the next step.Video Editor App: Latest YouTube Trends That Are Drawing the AttentionĬonsidering the popularity of YouTube videos, we look back at the major trends around the content being uploaded. The downside of this method, which you noted, is let's say you edit the dinner scene and then realize that one character is much louder than the other, or the color of one of the takes is totally off - you do need to go back, reedit the sound, reimport, merge, reedit, etc. It also takes a ton of organization (both on your computer and in your head), but once your method is set up it makes editing really complex stuff much easier and faster (cpu wise, NOT editing/time wise). It's a labor intensive process but it breaks it all down into small chunks. It's when you use many more generations that quality really starts to degrade. The export of the final cut is obviously another generation, but that's only 3 and you really won't lose any quality. When you've got every scene/sequence you need, you make the "final cut" Hitfilm file, import everything, arrange them, tweak, and you're done ( much easier said than done). When you've got your perfectly edited scene you export that at the highest quality possible - so that's generation #2. So you make a new Hitfilm file, import you're newly merged shots, and then you start to edit. Let's say you're editing a dinner conversation between two people and you have the wide shot, an over the shoulder shot of each characters POV, and some pick ups - close ups of hands serving food, a cat under the table (whatever). Now this is where it's get more complicated - scenes (I call them sequences). If you need to rerender a shot because you make a change.let's say the color was off - you've got the hitfilm file with the merged audio and you can just work on the color correction.īasically this process only has one generation of export. You'll still have the originals and the hitfilm merge file. It's a time consuming process and it takes a lot of organization but what it allows you to do is get much better audio and apply a ton of effects to every shot without killing your computer. Now, here's the part some people miss, when exporting this new shot (not a sequence or a scene, just a shot) - export at the highest quality you can.ġ) The original footage with scratch audio from the cameraģ) The cleaned up external audio file (if need be)Ĥ) The Hitfilm file that has #1 and #3 imported and merged with added visual effectsĥ) The exported video with the clean audio and effects If you do it in small chunks in this manner Hitfilm and your computer can handle it (video denoise and LUTS are the most cpu intensive things I've used). This is also where I do all the effects stuff. You just select the video and the external audio, right click and choose merge audio/video, then place the newly merged file in your timeline. If the two audio tracks are within a second or two the merge works automatically. Hitfilm can merge the two, so the camera's audio (scratch audio) is replaced by the cleaned up audio.
Then I imported the cleaned up audio and the video (with the scratch audio) into Hitfilm. Youtubers crank it up, but they're usually just taking heads in one room, so it's much easier to deal with sound).
I basically picked a level of -8db and made sure every shot I had was around that (obviously some were higher or lower depending on the shot, but it left a good buffer between loud and soft. In post I took the external audio and, if needed, cleaned it up in something like Audacity. I also used an external boom mic and external audio recorder and, obviously, I also recorded the audio using the camera's on board mic. Using variable bitrate footage in H.264 (phone footage) will make Hitfilm slow to a crawl.
#How to blur a face in hitfilm expres editor 1080p#
Here's what I've done and it works really well on an ancient mac without losing quality and being able to add tons of effects (video denoise, color correction, sound denoise, sharpening, VFX, etc.).įirst let me say that I rented a Canon c100 and shot at the highest quality 1080p AVCHD that I could, and this is key because Hitfilm (and the cpu) don't really have to do much to decode it. You're totally on the right track and the fewer export/imports (basically "generations") you have, the better (but honestly if you do it right you don't loose much, if any quality, at all).
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